Dallas Texas Camera Rentals

video@dafmediaproductions.com

Broadcast Broadcast SDI Switcher, 1080p Recorder, Live Graphics, *Pay Per View Streaming Broadcast, (2) Video Engineer, ISO Camera Recording, Camera Shading, (4) HD Broadcast Cameras, 24ft Jimmy Jib, Media Duplications.

The Jimmy Jib Rental options starts with the unique ability to choosing from 3ft all the way up to 40ft. The Jib Arm allows your camera to capture ground level angles and within seconds repositioning up to 40ft high. With the Jib’s remote head, you enable 360 angle camera movement, your camera’s servo lens zoom and focus control while it’s in the air.

DollyPLUS PRO is a motorized dolly to mobilize your camera and tripod. Equiped with (2) Anton Bauer HyTRON 140 Batteries the DollyPLUS Pro delivers straight or curved camera motions + wirelessly connects to edelkrone motorized heads. DollyPLUS PRO has a 45lbs load capacity, allow you to operate with a variety of cinema packages.

$170/day

The Kessler Shuttle Dolly provides filmmakers with the performance AND versatility. The dolly supports up to 125 pounds of equipment, it has solid aluminum construction, compatible with speed rails between 1-1/4″ and 2 and also has options for mounting cameras and tripod heads. It  can be operated manually or unlike any similar dolly in the market today, supports up to 50 feet of rails with Kessler’s Second Shooter motion control.

$200/day

The CRANE 3S PRO Rental is a powerful gimbal that handles large cameras up to 14 lb. Giving you many cinema camera to chose from for your production.

The DigitalFoto Vest with Dual-Spring Arm increases the reduction of bounce and shake in your shots while distributing weight from your arms to your waist and back. This rig load capacity ranges from 5.5 to 19.8 lb suitable for a variety of camera packages

$80/day

The Kessler Philip Bloom Pocket Dolly is smoother than other linear sliders due to ball bearing wheel design. Plus, with the belt drive you have the option to go to full automation with elektraDRIVE system that boasts features like time lapse, memory/motion playback, digital dampening and many more options that will make getting that perfect shot easy.

$100/day

The RED EPIC-W BRAIN HELIUM 8K Super 35 sensor is a game changer for the VFX artists looking for the extra recorded resolution and for productions wanting to future-proofing their footage for a time when 8K is standardized. The REDCODE RAW codec can be edited on many available NLE software programs without transcoding. Lowering the recording resolution allows the sensor to capture dramatic slow-motion footage.

PXW-FX9 XDCAM 6K Full-Frame Camera System powerful and flexible 4K interchangeable lens camera system features a 15-stop dynamic range, supports dynamic HDR, hybrid log gamma mode (HLG), and records 10-bit 4:2:2 . Advanced image stabilization is achieved using the PXW-FX9’s internal gyroscope for shots so smooth it’ll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.

Sony-FS7 II 4K Kit with a 18-110mm Zoom Lens provides you with a camera and lens system ready for today’s 4K single-camera productions. Well suited to cinema, documentaries, news magazines, or as the base of a kit to build upon for commercial production.  The camera supports recording of HD, UHD 4K, and DCI 4K to integrated XQD media card slots.

The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body features a full-frame CMOS sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and internally records raw in 12- or 10-bit.

$500/day

Canon EOS C300 Mark III Digital Cinema Camera, which features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range, records up to DCI 4K resolution, high frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode.

$425/day

The Cinema EOS C200 4K Digital Cinema Camera offers a Super 35mm Sensor and Dual Pixel Autofocus. The C200 can also record Canon’s Cinema RAW Light internally which allows ing it to capture and record up to DCI 4K resolution.

$300/day

The Cinema EOS C500 4K Digital Cinema Camera offers a Super 35mm, 8.85-megapixel CMOS image sensor, featuring uncompressed Canon RAW output for both 4K and 2K recording.

Our DP pkg is built with the Gemini 4K  uncompressed recorder and Zacuto EVF Recoil Shoulder Rig kit

$500/day

The C300 is designed to please cinematographers for any production, on location or in the studio, providing outstanding cinema quality movie capture.

Our DP pkg is built with the Gemini 444  uncompressed recorder and Zacuto EVF Recoil Shoulder Rig kit

$400/day

The Zoom F8 Multi-Track Field Recorder includes an integrated mixer, features dual-channel recording to ensure you always have a clean alternative, captures audio at resolutions and sample rates up to 24-bit/192 kHz. It offers eight combination XLR-1/4″ inputs, records on up to 10 tracks simultaneously, provides preamps that supply phantom power at 24 or 48V.

$80/day

The Sennheiser MKE 2 is a professional miniature lavalier microphone and an industry favorite among field audio engineers, broadcast engineers and film crews. It’s a Sennheiser Gold series model, which are designed for broadcast and theater applications.

$40/day

The Sennheiser MKE 2 is a professional miniature lavalier microphone and an industry favorite among field audio engineers, broadcast engineers and film crews. It’s a Sennheiser Gold series model, which are designed for broadcast and theater applications with a LEMO connector.

$40/day

The Countyman B6 Omnidirectional is the smallest lavalier in the world and outperforms microphones many times its size.  With exceptionally low handling noise and rugged construction, the B6 is the ideal choice for theater, broadcast, churches, and general lavalier applications.

$30/day

The Zoom H4n provides two different ways of recording great-sounding stereo. The X/Y technique is an excellent way to cover a wide area while still capturing sound sources in the center with clarity and definition, making it ideal for all types of live stereo recording.

$40/day

The Sennheiser ME 2 omni-directional microphone transmits its signal via a bodypack transmitter with mute function and a portable, battery-powered adaptive-diversity receiver. The receiver and transmitter are lightweight and easy to operate, yet rugged and packed with features.

$40/day

 The Kino Flo VistaBeam 600 DMX is a large 3×3 fixture that delivers the equivalent brightness of a 6000 watt tungsten spacelight, while drawing only 10 Amps of power and it is DMX ready for dimming control.

The VistaBeam provide 130 footcandles from a distance of 10 feet, the internal ballast is flicker-free and totally silent.

$150/day

The Kino Flo Flathead 80 System is a 4ft 8Bank lighting system.  It uses Kino Flo’s custom Hollywood-style True Match lamps and reflector technology that displays a very soft, flattering beauty light. The kit includes a Flathead 80 fixture, two 4Bank universal ballasts, a 1-1/8″ Junior mount, two 25′ head-to-ballast cables, gel frame and 90-degree louver

$80/day

The Image 80 4ft 8Bank portable lighting system was designed as a softlight source that could be plugged into the wall on location. The fixtures are large providing a massive softlight source. With a narrow profile, the Image 80 create an ease of rigging compared to tungsten lighting sources makes it the darling of motion picture and television visual effects designers.

$90/day

The Image 40, 4ft 4Bank portable lighting system was designed as a softlight source that could be plugged into the wall on location. The fixtures are large providing a massive softlight source. With a narrow profile, the Image 80 create an ease of rigging compared to tungsten lighting sources makes it the darling of motion picture and television visual effects designers.

$50/day

The Kino Flo 12″ Mini Flo System Kit includes two fixtures and two ballasts/power supplies.

The Mini-Flo is a lightweight, dimmable, flicker-free, high-output fluorescent system, ideally suited for lighting car interiors, miniatures, table-top or for use as a camera light.

$40/day

The Kupo High Riser is a wheel based braking system stand that prevents it from rolling with an impressive load capacity of 88 lbs and a 21ft maxim height.  It is a staple on set for situations when you need to rig an overhead frame high above. The stand is constructed from steel and has metal knobs and collars and a wide footprint for extra stability. Besides outstanding height and stability, the stand features spring-cushioning that gently lowers your light during height adjustments, thus avoiding damage to your gear.

$30/day

Matthews Hollywood Combo – Double Riser is equipped with 3 Sections, 2 Aluminum Risers. It rises to a maximum height of 11.3′ (3.4 m). Wider footprint and longer legs provide increased stability for heavier light fixtures with a weight capacity of 90lbs. Complete with Rocky Mountain Leg and steel construction.. Made from steel components – not plastic.

$18/day

The Matthews Low Boy Double Riser Combo Steel Stand rises to a maximum height of 6.3′ and has a Junior (1 1/8″) receptor and a Baby (5/8″) spigot. Originally designed for use with reflectors, Combo stands became popular with lighting crews as Hollywood moved from studios to outside locations.

This stand is constructed of steel for a higher weight capacity.

$18/day